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SILVERLIGHT

PHOTO & VIDEO

CO.

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LUTS---Panasonic-45-150-(Panasonic-G7).jpg

 LENS #1 
A KIT LENS
AS YOUR WIDE SHOT

We know the kit lens was designed to disappoint (to force upgrades) but if you're on a budget, there are times you can make it work.

 THE CHALLENGE: 

Can You Survive?

PROVE YOU DON'T NEED EXPENSIVE LENSES, OR THE PERFECT CAMERA TO CREATE PROFESSIONAL CONTENT.

LUTS---Panasonic-45-150-(Panasonic-G7).jpg

 WIDE = A Kit Lens? 

We know kit lenses aren't ideal, because how could anyone NOT love a variable aperture lens? However, I've tested quite a few of them that actually work. What's really interesting is, on a full-frame camera you can even use an adapted vintage 35-70 or 28-70 (if you don't need auto focus, that is).

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 TIGHT = A Nifty 50 

When camera companies cared more about quality (and didn't force upgrades) every camera included one of these. I don't think anyone would say these aren't good, but are they good enough to produce professional work? They are (and I've tested many). Plus, if you add a vintage Vivitar 2x MACRO TELECONVERTER (#ad) you'll score a decent macro too!

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 TELE = 1990s 70-300 

I remember the time when nobody liked these (it was when they were included in camera kits, sometime in the 1990s). What makes these great is combining them with a (2x crop sensor) Micro Four Thirds camera and you'll get all the telephoto you'll ever need unless you shoot birds (but that's not very nice). 

*The goal is to survive, with only the THRIFTY 3 lenses, for 3 months. To join us, just tag your YouTube videos with #Thrifty3

Budget CAMERAS

Budget CAMERAS

Budget CAMERAS
The "Nifty Fifty" is the BEST $100-$200 you'll ever spend

The "Nifty Fifty" is the BEST $100-$200 you'll ever spend

02:45
Filmmaking Tips with a 50mm Lens [feat. Kase Wolverine Magnetic VND Filters]

Filmmaking Tips with a 50mm Lens [feat. Kase Wolverine Magnetic VND Filters]

06:41
Private video

Private video

02:18
Every FILMMAKER Needs This CHEAP Vintage Lens

Every FILMMAKER Needs This CHEAP Vintage Lens

01:45
Promaster 70-300 4-5.6 (Panasonic GH4) NATURAL -4+1+4-1 PARFOCAL TEST

Promaster 70-300 4-5.6 (Panasonic GH4) NATURAL -4+1+4-1 PARFOCAL TEST

02:04
GX85 G85 Cinematic SETTINGS Panasonic 12-60 3.5-5.6 + Tiffen Black Pro Mist 1/8

GX85 G85 Cinematic SETTINGS Panasonic 12-60 3.5-5.6 + Tiffen Black Pro Mist 1/8

01:15
6K OPEN GATE TEST Quantaray 70-300 4-5.6 LD Panasonic GH5

6K OPEN GATE TEST Quantaray 70-300 4-5.6 LD Panasonic GH5

01:40
Minolta AF 50 1.7 (Panasonic GX85) NATURAL -0-0-0-0 vs. -2-2+5-0 + LUT

Minolta AF 50 1.7 (Panasonic GX85) NATURAL -0-0-0-0 vs. -2-2+5-0 + LUT

06:07
This $25 lens will change the way you shoot

This $25 lens will change the way you shoot

13:31
Why I Ditched Expensive Lenses for the Lumix S 20-60mm

Why I Ditched Expensive Lenses for the Lumix S 20-60mm

06:45
$89 Autofocus Lens for Full Frame?!

$89 Autofocus Lens for Full Frame?!

07:52
More than just a kit lens | the Lumix 20 - 60 Kit Lens

More than just a kit lens | the Lumix 20 - 60 Kit Lens

21:54
I Don't Care Anymore... This Camera is Peak.

I Don't Care Anymore... This Camera is Peak.

05:26

Can one survive, with only the THRIFTY 3 lenses, for 3 weeks?

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All content created with a budget kit in Seattle

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