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SILVERLIGHT

PHOTO & VIDEO

CO.

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Natural

"PHOTO STYLE"

-1

CONTRAST

+3

SHARPNESS

+5

NOISE

+1

COLOR

-3+3

HIGHLIGHT SHADOW

OFF

iDYNAMIC

OFF

iRESOLUTION

16-255

LUMINANCE LEVEL

Unsharp Mask*

ADOBE
POST-PRODUCTION

AMOUNT

RADIUS

THRESHOLD

Blur / Sharpen

DAVINCI RESOLVE
POST-PRODUCTION

LENS @FULL WIDE

 LENS @MID-ZOOM

LENS @FULL TELE

 REAL  RATINGS

After testing each lens-sensor combo, I like to know if the rendering is going to look realistic SOOC (Straight Out of Camera) or if it will need a LUT (to match the shots to other lenses and cameras).

Greyscale Landscape

CONTRAST

C

 IS THE CONTRAST "REAL"? 

Black and White Building

SHARPNESS

C

 IS THE SHARPNESS "REAL"? 

Lucid

NOISE

B

 IS THE NOISE "REAL"? 

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COLOR

F

 IS THE COLOR "REAL"? 

*Click here to learn more about "REAL" Ratings. These ratings are AFTER my custom settings are applied (most combos don't look real good with default settings).

NOTES: 

There is not much SHARPNESS in this lens to start with, so on this sensor I have to add some in the settings, and it will certainly need some post-production SHARPNESS added as well. It will also need more COLOR, but after working with this a bit I think it is at what I consider a good place for footage you are capturing to start (though I prefer settings be so good they can be used SOOC, of course). I started out with custom settings that had a little bit too much COLOR, but I had to tone it down as it is a strange lens to find a good place to set the COLOR settings to, as the COLOR is not very accurate (which makes even the white balance hard to figure out).

My goal for these camera settings is to improve the "lens-sensor relationship" by adjusting the contrast, sharpness, noise reduction and color with the result that it produces an image that looks less "digital" and more "organic" (more like film, etc). The first step is to apply these settings while shooting (produces an image that looks pretty good straight out of camera) but keep in mind there may need to be slight color grading (or a LUT) applied to finalize each shot.

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