CineLike D
"PHOTO STYLE"
-4
CONTRAST
-5
SHARPNESS
+5
+1
-0+3
HIGHLIGHT SHADOW
OFF
iDYNAMIC
OFF
16-255
LUMINANCE LEVEL
Sigma 17-50 2.8 VILTROX Panasonic G7 CINELIKE D -0-0-0-0 HS -0-0
Sigma 17-50 2.8 VILTROX Panasonic G7 CINELIKE D -4-5+5+1 HS -0+3
REAL RATINGS
After testing each lens-sensor combo, I like to know if the rendering is going to look realistic (or not) as this will affect how easy it is to "shot match" (to other lenses).
CONTRAST
C
IS THE CONTRAST "REAL"?
SHARPNESS
C
IS THE SHARPNESS "REAL"?
NOISE
B
IS THE NOISE "REAL"?
COLOR
C
IS THE COLOR "REAL"?
*Click here to learn more about "REAL" Ratings. These ratings are AFTER my custom settings are applied (most combos don't look real good with default settings).
Published:
April 8, 2022 at 10:47:19 PM
This lens-sensor combination was difficult to work with because the contrast and sharpness of the lens is so strong (and the sharpness isn't very even in terms of smooth gradation from highlight to shadow noticeable in detailed areas). So, I had to be quite dramatic with the settings I chose, and resorted to using a +3 SHADOW (under Highlight Shadow) which I don't normally like doing. Overall, I don't really like the result because my goal is almost always to render a real-looking image, and I think this lens-sensor combination falls short in this area. P.S. The Canon mount Viltrox EF-M2ii froze the camera several times, and I like it even less than I did before (but I highly recommend the Nikon mount version of the Viltrox focal reducer for this camera (the Viltrox NF-M43x).
My goal for these camera settings is to improve the "lens-sensor relationship" by adjusting the contrast, sharpness, noise reduction and color with the result that it produces an image that looks less "digital" and more "organic" (more like film, etc). The first step is to apply these settings while shooting (produces an image that looks pretty good straight out of camera) but keep in mind there may need to be slight color grading (or a LUT) applied to finalize each shot.
SPECIAL THANKS TO
