WAV 24-bit/96kHz
REC. SETTINGS
OFF
REC. LOWCUT
OFF
REC. LIMITER
"HI-"
AUX. SETTINGS
OFF
AUX. BASS
HIGH
AUX. HIGH-LOW
@FULL
MIC. SETTINGS
OFF
MIC. LOWCUT
N/A
MIC. HIGH PASS
+10
(RFI) RADIO FREQUENCY INTERFERENCE
-
LESS THAN
1.1ft / 0.34m
-
BETWEEN
1.1ft / 0.34m -2.2ft / 0.67m
-
BETWEEN
2.2ft / 0.67m -3.3ft / 1m
BETWEEN
3.3ft / 1m -4.4ft / 1.34m
Published:
April 29, 2022 at 3:21:20 PM
REAL RATINGS
After testing each microphone, I like to know if it sounds realistic (accurate lows/bass, mids, highs/treble) in combination with the recorder and/or AUX. amplifier, to see if it needs EQ.

LOWS/BASS
-
DO THE "LOWS" SOUND REAL?

MIDS
-
DO THE "MIDS" SOUND REAL?

HIGHS/TREBLE
-
DO THE "HIGHS" SOUND REAL?
NOTES:
+ AUX. Amplifier (Neotek NTK059) at HIGH, FULL DIAL. This configuration produces a file that needs noise reduction, but with this audio recorder it comes out pretty clean.
Remember to always monitor your audio while you're recording (using accurate headphones) because good settings can't fix bad audio. Also, these settings will not establish the exact level you'll need for every scene, but the goal is to provide a good starting point that will become clean, after adjusting in post. Additionally, these "custom settings" are used to make the Microphone-Specific EQ files work (as they won't work as intended if any of they aren't used). The EQ files were created to correct any imperfections of the microphone and/or wind protection (FOAM and/or FURRY) and were made in Audacity (the free audio editor) to make them as affordable & universal as possible.



