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SILVERLIGHT

PHOTO & VIDEO

CO.

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WAV 24-bit/96kHz

REC. SETTINGS

Off

REC. LOWCUT

Off

REC. LIMITER

3.5

REC. LEVEL

AUX. SETTINGS

​

AUX. BASS

​

AUX. HIGH-LOW

​

AUX. OUTPUT

MIC. SETTINGS

OFF

MIC. LOWCUT

N/A

MIC. HIGH PASS

+20

MIC. BOOST

(RFI) RADIO FREQUENCY INTERFERENCE

​

LESS THAN

1.1ft / 0.34m

​

BETWEEN
1.1ft / 0.34m -2.2ft / 0.67m 

​

BETWEEN
2.2ft / 0.67m -3.3ft / 1m

​

BETWEEN
3.3ft / 1m -4.4ft / 1.34m

Published: 

May 5, 2022 at 7:29:35 AM

 REAL  RATINGS

After testing each microphone, I like to know if it sounds realistic (accurate lows/bass, mids, highs/treble) in combination with the recorder and/or AUX. amplifier, to see if it needs EQ.

Catching a Wave

LOWS/BASS

​

 DO THE "LOWS" SOUND REAL? 

Song Notes

MIDS

​

 DO THE "MIDS" SOUND REAL? 

A woman singing in a record studio

HIGHS/TREBLE

​

 DO THE "HIGHS" SOUND REAL? 

NOTES:

As I've mentioned, this microphone sounds really good at this "CLOSE" proximity. It has plenty of output as well, but I actually like to use it at +20 MIC. BOOST not only because it's easier to set the switch all of the way up (instead of in the middle at +0) but it also sounds better than boosting it in post production.

 

Remember to always monitor your audio while you're recording (using accurate headphones) because good settings can't fix bad audio. Also, these settings will not establish the exact level you'll need for every scene, but the goal is to provide a good starting point that will become clean, after adjusting in post. Additionally, these "custom settings" are used to make the Microphone-Specific EQ files work (as they won't work as intended if any of they aren't used). The EQ files were created to correct any imperfections of the microphone and/or wind protection (FOAM and/or FURRY) and were made in Audacity (the free audio editor) to make them as affordable & universal as possible.

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