AUDIO RECORDER SPECIFIC:
I can't really recommend this microphone/audio recorder combination as a good solution for a lavalier mic like this, because the recorder DOES NOT HAVE A LOCK/HOLD function (and the REC. LEVEL dial can get bumped if you put it in somebody's pocket). This microphone only records a MONO signal and not a stereo one like when used with the Zoom H1. Like the Zoom H1 too, this mic doesn't sound as good as the Zoom F1 (it's not as full). I don't know if this has to do with the differences between how much gain was applied to each test in post-production or what, but I've learned I can't push the Zoom H1 or H1n beyond 63 or 6.3 on the dial respectively, because the pre-amps become too noisy above that. So, maybe it's just because this microphone comes in as MONO and not in stereo as it does on the Zoom F1, or perhaps the Zoom F1 has a better pre-amp?

GENERAL (MIC-SPECIFIC):
I've got quite a few notes about this mic (and most of them apply to any audio recorder). The first thing I'm noting, is that this mic does NOT sound good with the FURRY windscreen I've been testing recently (the Comica CVM-MF1). It does sound good (natural and "REAL") with the included stock FOAM windscreen. So, until I find a furry windscreen that matches this mic well, I cannot recommend this for OUTDOOR use (I'm looking into the white versions of the Ursa and Movo furry windscreens because the copy I have of this mic is white). Next, this microphone does NOT do a good job of reducing background noise. I know, it's an omnidirectional mic, but in comparison to a lot of the other lavaliers I've tested, it doesn't do well here. This can be used to your advantage in certain situations, however. One example might be if you're recording somebody like a comedian (or anyone speaking in front of a large crowd) as it may do a good job capturing a bit of the audience's reaction, etc. This can be helpful if you want to avoid combining multiple audio sources in post (i.e. one for the crowd noise, one for presenter).