96k 24bit
REC. SETTINGS
OFF
REC. LOWCUT
OFF
REC. LIMITER
6.3
AUX. SETTINGS
N/A
AUX. BASS
N/A
AUX. HIGH-LOW
N/A
MIC. SETTINGS
N/A
MIC. LOWCUT
N/A
MIC. HIGH PASS
N/A
(RFI) RADIO FREQUENCY INTERFERENCE
LESS THAN
1.1ft / 0.34m
BETWEEN
1.1ft / 0.34m -2.2ft / 0.67m
BETWEEN
2.2ft / 0.67m -3.3ft / 1m
BETWEEN
3.3ft / 1m -4.4ft / 1.34m
Published:
January 7, 2023 at 9:41:11 PM
REAL RATINGS
After testing each microphone, I like to know if it sounds realistic (accurate lows/bass, mids, highs/treble) in combination with the recorder and/or AUX. amplifier, to see if it needs EQ.

LOWS/BASS
A
DO THE "LOWS" SOUND REAL?

MIDS
B
DO THE "MIDS" SOUND REAL?

HIGHS/TREBLE
A
DO THE "HIGHS" SOUND REAL?
NOTES:
AUDIO RECORDER SPECIFIC:
This specific model of the microphone does NOT fully plug in (and you only get 1 channel of audio. I think it's the LEFT ear). I don't know if there is a non-locking version of this model, but there is of the more popular (and smaller) 044. I don't really like monitoring audio when it's just coming in through one ear, so I don't use this mic with this audio recorder. I did complete the test (in case I need to use the mic with this audio recorder for some reason) and the REC. LEVEL that's working well is 6.3 (I normally do not go above 6.3 on this recorder anyway, due to the self-noise).
MIC-SPECIFIC:
This is yet another test in which a mic sounds better with the Comica CVM-MF1 (Lavalier Furry). Also, this is one of the few mics that works (fairly well) WITHOUT a windscreen at all (I suspect it may have some built-in wind protection, because the top of the mic is bigger than any lavalier mic I've seen. To me, the fact that this sounds better with the FURRY is kind of a timesaver, because now I can leave the furry on for either INDOOR or OUTDOOR use (except for the fact that you need to wear it with dark clothing to hide it).
Remember to always monitor your audio while you're recording (using accurate headphones) because good settings can't fix bad audio. Also, these settings will not establish the exact level you'll need for every scene, but the goal is to provide a good starting point that will become clean, after adjusting in post. Additionally, these "custom settings" are used to make the Microphone-Specific EQ files work (as they won't work as intended if any of they aren't used). The EQ files were created to correct any imperfections of the microphone and/or wind protection (FOAM and/or FURRY) and were made in Audacity (the free audio editor) to make them as affordable & universal as possible.



