48k 24-bit
REC. SETTINGS
N/A
REC. LOWCUT
N/A
REC. LIMITER
N/A
AUX. SETTINGS
N/A
AUX. BASS
N/A
AUX. HIGH-LOW
N/A
MIC. SETTINGS
N/A
MIC. LOWCUT
N/A
MIC. HIGH PASS
N/A
(RFI) RADIO FREQUENCY INTERFERENCE
BAD
LESS THAN
1.1ft / 0.34m
BAD
BETWEEN
1.1ft / 0.34m -2.2ft / 0.67m
BAD
BETWEEN
2.2ft / 0.67m -3.3ft / 1m
BETWEEN
3.3ft / 1m -4.4ft / 1.34m
Published:
March 20, 2023 at 2:52:08 PM
REAL RATINGS
After testing each microphone, I like to know if it sounds realistic (accurate lows/bass, mids, highs/treble) in combination with the recorder and/or AUX. amplifier, to see if it needs EQ.

LOWS/BASS
?
DO THE "LOWS" SOUND REAL?

MIDS
?
DO THE "MIDS" SOUND REAL?

HIGHS/TREBLE
?
DO THE "HIGHS" SOUND REAL?
NOTES:
WARNING: I do not recommend using this microphone with this transmitter/recorder because there is noticeable RFI (Radio Frequency Interference).
Remember to always monitor your audio while you're recording (using accurate headphones) because good settings can't fix bad audio. Also, these settings will not establish the exact level you'll need for every scene, but the goal is to provide a good starting point that will become clean, after adjusting in post. Additionally, these "custom settings" are used to make the Microphone-Specific EQ files work (as they won't work as intended if any of they aren't used). The EQ files were created to correct any imperfections of the microphone and/or wind protection (FOAM and/or FURRY) and were made in Audacity (the free audio editor) to make them as affordable & universal as possible.



