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SILVERLIGHT

PHOTO & VIDEO

CO.

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48k 24-bit

REC. SETTINGS

N/A

REC. LOWCUT

N/A

REC. LIMITER

N/A

REC. LEVEL

AUX. SETTINGS

N/A

AUX. BASS

N/A

AUX. HIGH-LOW

N/A

AUX. OUTPUT

MIC. SETTINGS

N/A

MIC. LOWCUT

N/A

MIC. HIGH PASS

N/A

MIC. BOOST

(RFI) RADIO FREQUENCY INTERFERENCE

BAD

LESS THAN

1.1ft / 0.34m

BAD

BETWEEN
1.1ft / 0.34m -2.2ft / 0.67m 

BAD

BETWEEN
2.2ft / 0.67m -3.3ft / 1m

BETWEEN
3.3ft / 1m -4.4ft / 1.34m

Published: 

March 20, 2023 at 9:52:08 PM

 REAL  RATINGS

After testing each microphone, I like to know if it sounds realistic (accurate lows/bass, mids, highs/treble) in combination with the recorder and/or AUX. amplifier, to see if it needs EQ.

Catching a Wave

LOWS/BASS

?

 DO THE "LOWS" SOUND REAL? 

Song Notes

MIDS

?

 DO THE "MIDS" SOUND REAL? 

A woman singing in a record studio

HIGHS/TREBLE

?

 DO THE "HIGHS" SOUND REAL? 

NOTES:


WARNING: I do not recommend using this microphone with this transmitter/recorder because there is noticeable RFI (Radio Frequency Interference).

 

Keep in mind, these settings will not establish the exact level you'll need for every scene (where the audio level "bounces" around -12) but my goal is to provide a good starting point (that comes out clean, after boosting in post). It's also important to use these "recommended settings" for my microphone-specific EQ files to work properly (they won't work as intended if any of the "audio variables" are different). The EQ file was created to correct any sonic imperfections of the microphone or wind protection (foam, furry) and have been created with Audacity (the free audio editor) to make them as affordable as possible. Also, it's important to always monitor (accurate headphones) your audio while recording so you can hear any problems and make any changes needed to your audio.

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