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SILVERLIGHT

PHOTO & VIDEO

CO.

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32-Bit Float

REC. SETTINGS

OFF

REC. LOWCUT

N/A

REC. LIMITER

N/A

REC. LEVEL

AUX. SETTINGS

N/A

AUX. BASS

N/A

AUX. HIGH-LOW

N/A

AUX. OUTPUT

MIC. SETTINGS

N/A

MIC. LOWCUT

N/A

MIC. HIGH PASS

N/A

MIC. BOOST

(RFI) RADIO FREQUENCY INTERFERENCE

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LESS THAN

1.1ft / 0.34m

​

BETWEEN
1.1ft / 0.34m -2.2ft / 0.67m 

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BETWEEN
2.2ft / 0.67m -3.3ft / 1m

​

BETWEEN
3.3ft / 1m -4.4ft / 1.34m

Published: 

January 2, 2023 at 10:09:07 PM

 REAL  RATINGS

After testing each microphone, I like to know if it sounds realistic (accurate lows/bass, mids, highs/treble) in combination with the recorder and/or AUX. amplifier, to see if it needs EQ.

Catching a Wave

LOWS/BASS

​

 DO THE "LOWS" SOUND REAL? 

Song Notes

MIDS

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 DO THE "MIDS" SOUND REAL? 

A woman singing in a record studio

HIGHS/TREBLE

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 DO THE "HIGHS" SOUND REAL? 

NOTES:

Overall, this microphone sounds pretty good (i.e. it sounds natural and "REAL") and this is with the included (stock) FOAM windscreen. However, what is really interesting is that this microphone does not sound good with the Comica...(furry lavalier windscreen). That's interesting because most of the lav microphones I've tested sound BETTER with that furry windscreen. (This microphone doesn't seem to benefit from a reduction of reverb when used INDOORS, as a lot of the other microphones seemed to. This means both that this microphone is not a good choice for me to use OUTDOORS (with the Comica furry). Also, it means, even if I did find another lavalier furry windscreen, this one will be slower to use because I can't just leave a furry windscreen on all the time (I prefer to use lav mics that sound better with a furry windscreen (both indoors and out). The good news is that they did a really good job making this microphone sound natural with the included (stock) FOAM windscreen, which I can't say is the case for a lot of other lavalier mics (the ones I've tested of course).

 

Remember to always monitor your audio while you're recording (using accurate headphones) because good settings can't fix bad audio. Also, these settings will not establish the exact level you'll need for every scene, but the goal is to provide a good starting point that will become clean, after adjusting in post. Additionally, these "custom settings" are used to make the Microphone-Specific EQ files work (as they won't work as intended if any of they aren't used). The EQ files were created to correct any imperfections of the microphone and/or wind protection (FOAM and/or FURRY) and were made in Audacity (the free audio editor) to make them as affordable & universal as possible.

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