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WAV 24-bit/96kHz

REC. SETTINGS

Off

REC. LOWCUT

Off

REC. LIMITER

5.0

REC. LEVEL

AUX. SETTINGS

OFF

AUX. BASS

LOW

AUX. HIGH-LOW

@FULL

AUX. OUTPUT

MIC. SETTINGS

On

MIC. LOWCUT

N/A

MIC. HIGH PASS

+10

MIC. BOOST

(RFI) RADIO FREQUENCY INTERFERENCE

LESS THAN

1.1ft / 0.34m

BETWEEN
1.1ft / 0.34m -2.2ft / 0.67m 

BETWEEN
2.2ft / 0.67m -3.3ft / 1m

BETWEEN
3.3ft / 1m -4.4ft / 1.34m

Published: 

April 16, 2022 at 11:58:39 PM

 REAL  RATING

After testing each microphone, I like to know if it sounds realistic (accurate lows/bass, mids, highs/treble) in combination with the recorder and/or AUX. amplifier, to see if it needs EQ.

Catching a Wave

LOWS/BASS

 DO THE "LOWS" SOUND REAL? 

Song Notes

MIDS

 DO THE "MIDS" SOUND REAL? 

A woman singing in a record studio

HIGHS/TREBLE

 DO THE "HIGHS" SOUND REAL? 

NOTES:

Again, in comparison to the older Takstar SGC-598, I noticed this one is louder, in fact loud enough that I had my AUX. amplifier (Neotek NTK059) set on LOW, FULL DIAL and the REC. GAIN to only 5.0 on the dial (the SGC-598 had to max. out the AUX. Amplifier at HIGH, FULL DIAL and the REC. GAIN at 6.3 (because I would never go above 6.3 on the Zoom H1n recorder).

 

Keep in mind, these settings will not establish the exact level you'll need for every scene (where the audio level "bounces" around -12) but my goal is to provide a good starting point (that comes out clean, after boosting in post). It's also important to use these "recommended settings" for my microphone-specific EQ files to work properly (they won't work as intended if any of the "audio variables" are different). The EQ file was created to correct any sonic imperfections of the microphone or wind protection (foam, furry) and have been created with Audacity (the free audio editor) to make them as affordable as possible. Also, it's important to always monitor (accurate headphones) your audio while recording so you can hear any problems and make any changes needed to your audio.

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