Natural
"PHOTO STYLE"
-2
CONTRAST
+1
SHARPNESS
+3
+1
-1+1
HIGHLIGHT SHADOW
OFF
iDYNAMIC
OFF
16-255
LUMINANCE LEVEL
Unsharp Mask*
ADOBE
POST-PRODUCTION
AMOUNT
NONE
RADIUS
NONE
THRESHOLD
NONE
REAL RATINGS
After testing each lens-sensor combo, I like to know if the rendering is going to look realistic SOOC (Straight Out of Camera) or if it will need a LUT (to match the shots to other lenses and cameras).

CONTRAST
C
IS THE CONTRAST "REAL"?

SHARPNESS
A
IS THE SHARPNESS "REAL"?

NOISE
B
IS THE NOISE "REAL"?

COLOR
B
IS THE COLOR "REAL"?
*Click here to learn more about "REAL" Ratings. These ratings are AFTER my custom settings are applied (most combos don't look real good with default settings).
Published:
July 8, 2025 at 10:07:03 PM
Okay, this lens is good. Now, to be sure you have the right lens (when you use these settings) the version I tested was the WHITE version (well, off-white because the lens is old) but the exterior is white with black rubber areas (focus and zoom rings). So then, let me continue by saying WOW, it's a pretty good lens! I was actually not expecting much, because I had just finished testing another budget white lens from this same vintage (a 1990s 100-400 from Promaster) which was not good. As a side note, there seem to be a lot of good lenses in the 70-300 focal length range, but every vintage 100-300 and 100-400 has been REALLY bad. I've heard the Panasonic 100-400 (by Leica) is really good (not affordable enough for me to test at this time) and the footage I've seen from the Panasonic 100-300 looks good too...but for the older lenses, I only trust the 70-300 focal length now (but only from the early AF generation/80s & 90s and on, but not older). I putting NONE in the post-production sharpening settings because I don't think it needs any (which is good)!
My goal for these camera settings is to improve the "lens-sensor relationship" by adjusting the contrast, sharpness, noise reduction and color with the result that it produces an image that looks less "digital" and more "organic" (more like film, etc). The first step is to apply these settings while shooting (produces an image that looks pretty good straight out of camera) but keep in mind there may need to be slight color grading (or a LUT) applied to finalize each shot.