Natural
"PHOTO STYLE"
-5
CONTRAST
-5
SHARPNESS
+5
+2
-5+4
HIGHLIGHT SHADOW
OFF
iDYNAMIC
OFF
0-255
LUMINANCE LEVEL
Unsharp Mask*
ADOBE
POST-PRODUCTION
AMOUNT
?
RADIUS
?
THRESHOLD
?
Blur / Sharpen
DAVINCI RESOLVE
POST-PRODUCTION
LENS @FULL WIDE
LENS @MID-ZOOM
LENS @FULL TELE
REAL RATINGS
After testing each lens-sensor combo, I like to know if the rendering is going to look realistic SOOC (Straight Out of Camera) or if it will need a LUT (to match the shots to other lenses and cameras).

CONTRAST
B
IS THE CONTRAST "REAL"?

SHARPNESS
C
IS THE SHARPNESS "REAL"?

NOISE
A
IS THE NOISE "REAL"?

COLOR
C
IS THE COLOR "REAL"?
*Click here to learn more about "REAL" Ratings. These ratings are AFTER my custom settings are applied (most combos don't look real good with default settings).
NOTES:
Using same SETTINGS for this Tiffen Black Pro Mist 1/4 version (as with the BARE, no filter version) to make production easier. They WILL HAVE DIFFERENT LUTS though, as this filter reduces CONTRAST and COLOR, and the post-production SHARPENING will be different as well (because filter reduces the SHARPNESS). Interesting side note is that I was considering adding more COLOR to this version of the settings, but starting with less COLOR is actually better to hide the digital noise artifacts, yet if you wanted the two shots (filter/non-filter) to MATCH, then I would increase the COLOR to +3 (when using this Tiffen BPM14 filter).
NOTES FROM UNFILTERED/BARE VERSION:
I've been learning that, specifically with the GH5, a lot of the OEM Panasonic lenses still have too much SHARPNESS and too much CONTRAST so to correct for this (while using the NATURAL profile) I'm not only tuning those settings but also need pretty extreme HIGHLIGHT SHADOW compensation...and that ends up adding more MAGENTA to the color cast (and adds other color noise too, but the overall color cast leans towards MAGENTA). Therefore, this is going to need a LUT to correct for this, for sure!
My goal for these camera settings is to improve the "lens-sensor relationship" by adjusting the contrast, sharpness, noise reduction and color with the result that it produces an image that looks less "digital" and more "organic" (more like film, etc). The first step is to apply these settings while shooting (produces an image that looks pretty good straight out of camera) but keep in mind there may need to be slight color grading (or a LUT) applied to finalize each shot.



