32-Bit Float
REC. SETTINGS
OFF
REC. LOWCUT
N/A
REC. LIMITER
N/A
AUX. SETTINGS
N/A
AUX. BASS
N/A
AUX. HIGH-LOW
N/A
MIC. SETTINGS
ON
MIC. LOWCUT
N/A
MIC. HIGH PASS
OFF
(RFI) RADIO FREQUENCY INTERFERENCE
LESS THAN
1.1ft / 0.34m
BETWEEN
1.1ft / 0.34m -2.2ft / 0.67m
BETWEEN
2.2ft / 0.67m -3.3ft / 1m
BETWEEN
3.3ft / 1m -4.4ft / 1.34m
Published:
December 26, 2022 at 8:01:09 PM
REAL RATINGS
After testing each microphone, I like to know if it sounds realistic (accurate lows/bass, mids, highs/treble) in combination with the recorder and/or AUX. amplifier, to see if it needs EQ.

LOWS/BASS
B
DO THE "LOWS" SOUND REAL?

MIDS
A
DO THE "MIDS" SOUND REAL?

HIGHS/TREBLE
B
DO THE "HIGHS" SOUND REAL?
NOTES:
This microphone has a self-noise that sounds like a calm ocean, even though it was easy to extract (using Noise Reduction effect in Audacity). I am recommending turning the MIC. LOW CUT filter on (for all "proximities") for a few different reasons, but it did not remove the "ocean" sound. What the MIC. LOW CUT did improve was (at this "CLOSE" proximity) it removed the excess lows/bass frequencies that occur due to the "proximity effect" (being too close to a microphone creates more bass). In this case of this microphone, the result is that it sounds more "REAL" and natural, so I'm keeping the MIC. LOW CUT on (it also helps reduce handling noise, as the shock mount on this mic is not too good). Like the older version of this mic, it is also interesting is that when using this with the Zoom F2 32-bit float recorder, the audio sounds cleaner and more "REAL" without turning the +10 MIC. BOOST on (I had to turn it on for the other non-32-bit-float recorders, to get close to a proper level, but with the 32-bit float recorder, boosting a low level during editing sounds really clean! The same was true with the Takstar SGC-598.) This microphone is also louder then the older version (the Takstar SGC-598) at the +10 setting. Likewise, the +10 boost on this mic is not a very good quality amplifier, so it sounds more fake when it's on, as well as amplifying that "ocean" sounding self-noise of the microphone. So, do NOT use the +10 boost when using this with the Zoom F2 at this CLOSE proximity.
Keep in mind, these settings will not establish the exact level you'll need for every scene (where the audio level "bounces" around -12) but my goal is to provide a good starting point (that comes out clean, after boosting in post). It's also important to use these "recommended settings" for my microphone-specific EQ files to work properly (they won't work as intended if any of the "audio variables" are different). The EQ file was created to correct any sonic imperfections of the microphone or wind protection (foam, furry) and have been created with Audacity (the free audio editor) to make them as affordable as possible. Also, it's important to always monitor (accurate headphones) your audio while recording so you can hear any problems and make any changes needed to your audio.