WAV 24-bit/96kHz
REC. SETTINGS
OFF
REC. LOWCUT
OFF
REC. LIMITER
?
AUX. SETTINGS
OFF
AUX. BASS
LOW
AUX. HIGH-LOW
@FULL
MIC. SETTINGS
ON
MIC. LOWCUT
N/A
MIC. HIGH PASS
+10
(RFI) RADIO FREQUENCY INTERFERENCE
LESS THAN
1.1ft / 0.34m
BETWEEN
1.1ft / 0.34m -2.2ft / 0.67m
BETWEEN
2.2ft / 0.67m -3.3ft / 1m
BETWEEN
3.3ft / 1m -4.4ft / 1.34m
Published:
May 4, 2022 at 12:54:11 AM
REAL RATINGS
After testing each microphone, I like to know if it sounds realistic (accurate lows/bass, mids, highs/treble) in combination with the recorder and/or AUX. amplifier, to see if it needs EQ.

LOWS/BASS
DO THE "LOWS" SOUND REAL?

MIDS
DO THE "MIDS" SOUND REAL?

HIGHS/TREBLE
DO THE "HIGHS" SOUND REAL?
NOTES:
This is a test of the Takstar SGC-600 with a +10 MIC. BOOST, MIC. LOWCUT set to ON, using a headphone amplifier (Neotek) at LOW, FULL DIAL. The level is pretty good, but at this proximity this microphone does not reject the background noise too well (and after trying some quick Noise Reduction using Audacity, I don't think it's good enough).
Keep in mind, these settings will not establish the exact level you'll need for every scene (where the audio level "bounces" around -12) but my goal is to provide a good starting point (that comes out clean, after boosting in post). It's also important to use these "recommended settings" for my microphone-specific EQ files to work properly (they won't work as intended if any of the "audio variables" are different). The EQ file was created to correct any sonic imperfections of the microphone or wind protection (foam, furry) and have been created with Audacity (the free audio editor) to make them as affordable as possible. Also, it's important to always monitor (accurate headphones) your audio while recording so you can hear any problems and make any changes needed to your audio.