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PHOTO & VIDEO

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WAV 24-bit/96kHz

REC. SETTINGS

OFF

REC. LOWCUT

OFF

REC. LIMITER

?

REC. LEVEL

AUX. SETTINGS

OFF

AUX. BASS

LOW

AUX. HIGH-LOW

@FULL

AUX. OUTPUT

MIC. SETTINGS

ON

MIC. LOWCUT

N/A

MIC. HIGH PASS

+10

MIC. BOOST

(RFI) RADIO FREQUENCY INTERFERENCE

LESS THAN

1.1ft / 0.34m

BETWEEN
1.1ft / 0.34m -2.2ft / 0.67m 

BETWEEN
2.2ft / 0.67m -3.3ft / 1m

BETWEEN
3.3ft / 1m -4.4ft / 1.34m

Published: 

May 4, 2022 at 12:54:11 AM

 REAL  RATINGS

After testing each microphone, I like to know if it sounds realistic (accurate lows/bass, mids, highs/treble) in combination with the recorder and/or AUX. amplifier, to see if it needs EQ.

Catching a Wave

LOWS/BASS

 DO THE "LOWS" SOUND REAL? 

Song Notes

MIDS

 DO THE "MIDS" SOUND REAL? 

A woman singing in a record studio

HIGHS/TREBLE

 DO THE "HIGHS" SOUND REAL? 

NOTES:

This is a test of the Takstar SGC-600 with a +10 MIC. BOOST, MIC. LOWCUT set to ON, using a headphone amplifier (Neotek) at LOW, FULL DIAL. The level is pretty good, but at this proximity this microphone does not reject the background noise too well (and after trying some quick Noise Reduction using Audacity, I don't think it's good enough).

 

Keep in mind, these settings will not establish the exact level you'll need for every scene (where the audio level "bounces" around -12) but my goal is to provide a good starting point (that comes out clean, after boosting in post). It's also important to use these "recommended settings" for my microphone-specific EQ files to work properly (they won't work as intended if any of the "audio variables" are different). The EQ file was created to correct any sonic imperfections of the microphone or wind protection (foam, furry) and have been created with Audacity (the free audio editor) to make them as affordable as possible. Also, it's important to always monitor (accurate headphones) your audio while recording so you can hear any problems and make any changes needed to your audio.

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