48k 24-bit
REC. SETTINGS
N/A
REC. LOWCUT
N/A
REC. LIMITER
N/A
AUX. SETTINGS
N/A
AUX. BASS
N/A
AUX. HIGH-LOW
N/A
MIC. SETTINGS
N/A
MIC. LOWCUT
N/A
MIC. HIGH PASS
N/A
(RFI) RADIO FREQUENCY INTERFERENCE
BAD
LESS THAN
1.1ft / 0.34m
N/A
BETWEEN
1.1ft / 0.34m -2.2ft / 0.67m
N/A
BETWEEN
2.2ft / 0.67m -3.3ft / 1m
BETWEEN
3.3ft / 1m -4.4ft / 1.34m
Published:
February 24, 2023 at 11:31:22 PM
REAL RATINGS
After testing each microphone, I like to know if it sounds realistic (accurate lows/bass, mids, highs/treble) in combination with the recorder and/or AUX. amplifier, to see if it needs EQ.

LOWS/BASS
?
DO THE "LOWS" SOUND REAL?

MIDS
?
DO THE "MIDS" SOUND REAL?

HIGHS/TREBLE
?
DO THE "HIGHS" SOUND REAL?
NOTES:
WARNING: This combination does not work (too much RFI). The RFI is coming from the transmitter/recorder itself (whether or not the RECEIVER is on) so there's no hope for this mic/audio recorder combination. I (unless I add an AUX. amplifier, but it would have to be the Comica Dual Lav, as this mic requires plug-in power). The test with the receiver ON makes the RFI even worse (and it's constant, no matter what the distance). I'm going to have to remove this mic from the list of mics I can use with this transmitter/recorder.
Keep in mind, these settings will not establish the exact level you'll need for every scene (where the audio level "bounces" around -12) but my goal is to provide a good starting point (that comes out clean, after boosting in post). It's also important to use these "recommended settings" for my microphone-specific EQ files to work properly (they won't work as intended if any of the "audio variables" are different). The EQ file was created to correct any sonic imperfections of the microphone or wind protection (foam, furry) and have been created with Audacity (the free audio editor) to make them as affordable as possible. Also, it's important to always monitor (accurate headphones) your audio while recording so you can hear any problems and make any changes needed to your audio.

