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SILVERLIGHT

PHOTO & VIDEO

CO.

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96k 24bit

REC. SETTINGS

120 Hz

REC. LOWCUT

OFF

REC. LIMITER

"HI-"

REC. LEVEL

AUX. SETTINGS

N/A

AUX. BASS

N/A

AUX. HIGH-LOW

N/A

AUX. OUTPUT

MIC. SETTINGS

ON

MIC. LOWCUT

N/A

MIC. HIGH PASS

+20

MIC. BOOST

(RFI) RADIO FREQUENCY INTERFERENCE

LESS THAN

1.1ft / 0.34m

BETWEEN
1.1ft / 0.34m -2.2ft / 0.67m 

BETWEEN
2.2ft / 0.67m -3.3ft / 1m

BETWEEN
3.3ft / 1m -4.4ft / 1.34m

Published: 

May 4, 2022 at 9:25:20 PM

 REAL  RATINGS

After testing each microphone, I like to know if it sounds realistic (accurate lows/bass, mids, highs/treble) in combination with the recorder and/or AUX. amplifier, to see if it needs EQ.

Catching a Wave

LOWS/BASS

 DO THE "LOWS" SOUND REAL? 

Song Notes

MIDS

 DO THE "MIDS" SOUND REAL? 

A woman singing in a record studio

HIGHS/TREBLE

 DO THE "HIGHS" SOUND REAL? 

NOTES:


I like this combination at this "VLOG" proximity. It seems to be handling the wind noise a lot better than the Zoom H1n, as well as just coming out with a more of a natural, balanced sounding recording than the H1n (after all of the LOWCUT filters applied, both MIC. LOWCUT and REC. LOWCUT 120Hz). These settings do result in a level that's a little bit too low to use without boosting in post, but it handled that post-processing well, and I don't like to push the Zoom F1 REC. LEVEL past "HI-" because it introduces too much audio recorder preamp self-noise.

 

Keep in mind, these settings will not establish the exact level you'll need for every scene (where the audio level "bounces" around -12) but my goal is to provide a good starting point (that comes out clean, after boosting in post). It's also important to use these "recommended settings" for my microphone-specific EQ files to work properly (they won't work as intended if any of the "audio variables" are different). The EQ file was created to correct any sonic imperfections of the microphone or wind protection (foam, furry) and have been created with Audacity (the free audio editor) to make them as affordable as possible. Also, it's important to always monitor (accurate headphones) your audio while recording so you can hear any problems and make any changes needed to your audio.

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