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SILVERLIGHT

PHOTO & VIDEO

CO.

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48k 24-bit

REC. SETTINGS

N/A

REC. LOWCUT

N/A

REC. LIMITER

N/A

REC. LEVEL

AUX. SETTINGS

N/A

AUX. BASS

N/A

AUX. HIGH-LOW

N/A

AUX. OUTPUT

MIC. SETTINGS

ON

MIC. LOWCUT

N/A

MIC. HIGH PASS

+20

MIC. BOOST

(RFI) RADIO FREQUENCY INTERFERENCE

LESS THAN

1.1ft / 0.34m

BETWEEN
1.1ft / 0.34m -2.2ft / 0.67m 

BETWEEN
2.2ft / 0.67m -3.3ft / 1m

BETWEEN
3.3ft / 1m -4.4ft / 1.34m

Published: 

February 24, 2023 at 3:19:33 AM

 REAL  RATINGS

After testing each microphone, I like to know if it sounds realistic (accurate lows/bass, mids, highs/treble) in combination with the recorder and/or AUX. amplifier, to see if it needs EQ.

Catching a Wave

LOWS/BASS

 DO THE "LOWS" SOUND REAL? 

Song Notes

MIDS

 DO THE "MIDS" SOUND REAL? 

A woman singing in a record studio

HIGHS/TREBLE

 DO THE "HIGHS" SOUND REAL? 

NOTES:


One thing I noticed about using this mic/recorder combo (at this "VLOG" proximity) is that it sounds (natural and "REAL") when walking around OUTDOORS, but when I'm INDOORS or even near the walls of the house when outdoors, the reverberation (reflections off walls, etc.) aren't very well controlled. (With some other microphones, the furry windscreen helps with that, but this is with the furry windscreen ON, and it struggles with it). UPDATE: After more testing, I figured out that INDOORS it sounds better with the MIC. LOWCUT OFF, and better with it ON when OUTDOORS. However, most vlogging scenarios take place OUTDOORS, so I'm going to leave the MIC. LOWCUT ON for this "VLOG" proximity.

Also note, you still cannot use this combination with the wireless RECEIVER turned on (there is way too much RFI).

 

Keep in mind, these settings will not establish the exact level you'll need for every scene (where the audio level "bounces" around -12) but my goal is to provide a good starting point (that comes out clean, after boosting in post). It's also important to use these "recommended settings" for my microphone-specific EQ files to work properly (they won't work as intended if any of the "audio variables" are different). The EQ file was created to correct any sonic imperfections of the microphone or wind protection (foam, furry) and have been created with Audacity (the free audio editor) to make them as affordable as possible. Also, it's important to always monitor (accurate headphones) your audio while recording so you can hear any problems and make any changes needed to your audio.

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