96k 24-bit
REC. SETTINGS
OFF
REC. LOWCUT
OFF
REC. LIMITER
-
AUX. SETTINGS
N/A
AUX. BASS
N/A
AUX. HIGH-LOW
N/A
MIC. SETTINGS
N/A
MIC. LOWCUT
N/A
MIC. HIGH PASS
N/A
(RFI) RADIO FREQUENCY INTERFERENCE
-
LESS THAN
1.1ft / 0.34m
-
BETWEEN
1.1ft / 0.34m -2.2ft / 0.67m
-
BETWEEN
2.2ft / 0.67m -3.3ft / 1m
-
BETWEEN
3.3ft / 1m -4.4ft / 1.34m
Published:
March 29, 2023 at 6:00:36 AM
REAL RATING
After testing each microphone, I like to know if it sounds realistic (accurate lows/bass, mids, highs/treble) in combination with the recorder and/or AUX. amplifier, to see if it needs EQ.
LOWS/BASS
-
DO THE "LOWS" SOUND REAL?
MIDS
-
DO THE "MIDS" SOUND REAL?
HIGHS/TREBLE
-
DO THE "HIGHS" SOUND REAL?
NOTES:
WARNING: This microphone does not work with this audio recorder. It does not fully plug in to the input jack, and this causes the input mode to change (it switches from internal to external mic mode when slightly bumped). This is not only because it has a screw-lock plug, but also because of the angle of the plastic around the plug (the older H1 doesn't lock either, but it plugs in straighter and doesn't accidentally switch modes).
Keep in mind, these settings will not establish the exact level you'll need for every scene (where the audio level "bounces" around -12) but my goal is to provide a good starting point (that comes out clean, after boosting in post). It's also important to use these "recommended settings" for my microphone-specific EQ files to work properly (they won't work as intended if any of the "audio variables" are different). The EQ file was created to correct any sonic imperfections of the microphone or wind protection (foam, furry) and have been created with Audacity (the free audio editor) to make them as affordable as possible. Also, it's important to always monitor (accurate headphones) your audio while recording so you can hear any problems and make any changes needed to your audio.