96k 24-bit
REC. SETTINGS
OFF
REC. LOWCUT
OFF
REC. LIMITER
-
AUX. SETTINGS
N/A
AUX. BASS
N/A
AUX. HIGH-LOW
N/A
MIC. SETTINGS
N/A
MIC. LOWCUT
N/A
MIC. HIGH PASS
N/A
(RFI) RADIO FREQUENCY INTERFERENCE
-
LESS THAN
1.1ft / 0.34m
-
BETWEEN
1.1ft / 0.34m -2.2ft / 0.67m
-
BETWEEN
2.2ft / 0.67m -3.3ft / 1m
-
BETWEEN
3.3ft / 1m -4.4ft / 1.34m
Published:
March 28, 2023 at 11:00:36 PM
REAL RATINGS
After testing each microphone, I like to know if it sounds realistic (accurate lows/bass, mids, highs/treble) in combination with the recorder and/or AUX. amplifier, to see if it needs EQ.

LOWS/BASS
-
DO THE "LOWS" SOUND REAL?

MIDS
-
DO THE "MIDS" SOUND REAL?

HIGHS/TREBLE
-
DO THE "HIGHS" SOUND REAL?
NOTES:
WARNING: This microphone does not work with this audio recorder. It does not fully plug in to the input jack, and this causes the input mode to change (it switches from internal to external mic mode when slightly bumped). This is not only because it has a screw-lock plug, but also because of the angle of the plastic around the plug (the older H1 doesn't lock either, but it plugs in straighter and doesn't accidentally switch modes).
Remember to always monitor your audio while you're recording (using accurate headphones) because good settings can't fix bad audio. Also, these settings will not establish the exact level you'll need for every scene, but the goal is to provide a good starting point that will become clean, after adjusting in post. Additionally, these "custom settings" are used to make the Microphone-Specific EQ files work (as they won't work as intended if any of they aren't used). The EQ files were created to correct any imperfections of the microphone and/or wind protection (FOAM and/or FURRY) and were made in Audacity (the free audio editor) to make them as affordable & universal as possible.



